蛇蝎美人第二季

逛西湖这么多年，真没发现这个“彩蛋”_我的网站

一 |     NEW YORK -- On the 400th anniversary of Shakespeare's First Folio, rare originals are being displayed and publishers are offering collectors editions of Shakespeare's plays, including one that sells for $1,500.Scholars believe that between 200-300 copies still survive from the late 1623 release of “Mr. William Shakespeares Comedies, Histories & Tragedies." Presided over by two friends and former colleagues of Shakespeare, who had died in 1616, the Folio ensured that lasting texts existed for “Macbeth,” “Twelfth Night” and other cornerstones of Western literature. In Shakespeare's lifetime, many of his works were unpublished or available only in cheap paperback editions.“Without the First Folio we would have lost a world of words,” Gregory Doran, artistic director emeritus of the Royal Shakespeare Company, writes in the introduction to “The Complete Plays” of Shakespeare, a new publication.First folios have been on exhibit everywhere from the British Museum to the New York Public Library and at least two major book projects will mark the anniversary. The British Museum is collaborating with Rizzoli Books in New York on “Shakespeare’s First Folio: 400th Anniversary Facsimile Edition,” contained within a slipcase cover. With a list price of $150, the book is 928 pages and includes an introductory booklet co-written by Adrian Edwards, head curator of the British Library’s Printed Heritage Collections.The most ambitious, and exclusive project, is “The Complete Plays,” a limited edition from the Folio Society, an employee-owned company in London that puts out customized volumes ranging from "Beowulf" to George R.R. Martin's “A Song of Ice and Fire” series. The Society has printed just 1,000 copies of the 3-volume box set, with a list price of $1,500. Besides Doran's introduction, the Folio Society release includes a foreword by Dame Judi Dench. Each set is hand-numbered by illustrator Neil Packer.More than three-quarters of “The Complete Plays” have already sold, according to the publisher.“In an era when everything seems disposable, I feel like there's a good market for fine editions of classic books,” says Folio Society publishing director Tom Walker.The First Folio was daring, even audacious for its time, when such publications were “reserved for learned treatises, hefty genealogical texts, books of religious or historiographical importance, or even works by monarchs,” according to Shakespeare scholar Chris Laoutaris. Before Shakespeare the only playwright known to have been so honored was his contemporary Ben Jonson, who honored himself by overseeing “The Workes of Benjamin Jonson” in 1616. While the British Museum edition is relatively affordable, the Folio Society's production is closer to the intended market for the original release."Only those with deep pockets, and the space to read them, could afford such luxurious products," says Laoutaris, an associate professor at the Shakespeare Institute in the playwright's native Stratford-On-Avon and author of “Shakespeare’s Book: The Intertwined Lives Behind the Fist Folio,” which came out this year. “When it was released, the First Folio cost more to produce than any other collection of plays in history up until that point.”The Folio proved successful enough that an updated edition, the Second Folio, was published in 1632, a Third Folio in 1663 and a fourth in 1685. By the 19th century, the original Folio was becoming a valued piece of history, in part through the efforts of collectors Henry and Emily Folger, and a symbol of might for the British Empire. Sir George Grey, who had served as a colonial governor, established libraries worldwide that included copies of the First Folio.“For Grey, the First Folio represented the pinnacle of culture, but specifically English culture,” Laoutaris says. “He sought nothing less than the obliteration of the language and culture of the native populations in Australia, New Zealand and South Africa, nurturing a desire to replace these with the English language and its literary products." The United States is home to more than half of all existing copies of the First Folio, followed by the United Kingdom and Japan, with handfuls of editions also existing in Germany, France, South Africa, Australia and New Zealand among other countries. For antiquarians, the First Folio is the greatest of prizes: One sold for $9.9 million in 2020. For scholars and countless admirers, the Folio is secondary to the plays themselves."Shakespeare’s stature, for the past 400 years, is a reflection of his plays’ staying power on the stage far more than their survival in a collected works," says James Shapiro, a professor of English and comparative literature at Columbia University and author of several books on Shakespeare.“You can buy a Ben Jonson folio for a few thousand dollars; a Shakespeare folio will cost you millions. The reason for this simple: the remarkable afterlife of his comedies, histories, and tragedies in theaters throughout the world.”。     杨公堤隐秀桥附近鹅卵石路面上的“杭州”“西湖”“您好游客” 记者 夏阳 摄在杭州西湖边走路，如果不低头，很可能会错过一个小细节。杨公堤隐秀桥附近，一段普通的鹅卵石路面上，藏着“您好游客”四个字。

二 | 在它的不远处，还有“杭州”“西湖”。这些字是一颗颗鹅卵石拼出来的，每个字大约有一脚大小，黑色的小石子嵌在浅色路面里，经过多年风吹雨淋，依然清晰可辨。每天从这里经过的游客不少，但大多数人并不会注意到，脚下的路藏着一份来自陌生人的问候。去年，网友“momo”散步时偶然发现了这里。他在社交平台发帖：“去西湖散步，在杨公堤神舟基地那段路发现真诚的问好。

三 | 不知道是哪里的哪位工人哪天出于什么样的心情用小石子拼出这句话呢，我看见了，也祝你好。”帖子发出后，引来全国各地网友的评论。一位广东网友留言：“作者好深奥，而我只是感动于一个默默无闻的小小工人，或男或女，在铺路的间隙玩心大发，拼出‘您好游客’，他此刻不在乎早点收工休息，也没用空闲时间发呆摸鱼，而是选择了散发一些半永久的善意。

四 | ”辽宁网友“摸鱼珍珠存钱罐”留言：“就像我们看到中山国守墓人撰写的‘你好呀后世的君子们’，千年后也会有人惊喜地发现这句石子话，并感慨历史的魅力吧。”江苏网友“看上去很美”留言：“天啊，看哭了！想起刘慈欣在《三体》里的那句‘把字刻在石头上’。”还有网友引用《兰亭集序》中的句子：“后之视今，亦犹今之视昔。”有网友回复：“后之览者，亦将有感于斯文。”除了评论，更有不少网友发图跟帖，晒出了全国各地的鹅卵石路面“彩蛋”。安徽网友“...”：“十年前高中修路，我们也征得工人师傅同意，拼了自己名字的缩写，虽然现在都已走散，但后面的学生看到一定会充满好奇吧。”广东网友“不知道叫什么”跟帖“爬山看到的”，那是“登山快乐”。重庆网友“胖胖的碗”看到的“青春万岁”，还有一位浙江网友跟帖分享在杭州公园看到的爱心。记者联系了最早发帖的网友“momo”，他说自己去年3月去杨公堤那边散步无意中看见了，特别有感触，所以发了帖。

五 | 无论是发帖的“momo”还是跟帖的网友，他们晒出的鹅卵石路小细节，并没有留下作者的名字。那么，西湖边这句“您好游客”，到底是谁留下的？记者联系了西湖风景名胜区城市管理保障中心。工作人员介绍，这段鹅卵石路确实由他们单位负责养护。

六 | 这些文字，是某位养护人员在铺设过程中留下的小巧思。不过，由于时间较久，目前已经无法确认具体是哪位养护人员完成的，也找不到准确的施工时间。但这句问候，还留在西湖边。在中国传统园林中，鹅卵石铺地不仅是一种道路铺装方式，也是一种园林装饰手法。明代造园著作《园冶》中提到，园林营造讲究因地制宜、巧于设计。江南园林中，工匠常利用不同颜色、大小的石子，在地面拼出花纹、图案，既方便行走，也增加景观趣味。杭州西湖景区和不少公园里，都能看到这种传统铺地方式。

七 | 一些看似普通的道路，在工匠手里，也可能变成一处隐藏的风景。其实，在杭州乃至全国不少地方，都有人发现过类似的鹅卵石“小彩蛋”。有人在路面留下名字，有人写下一句话，也有人拼出简单的图案。它们可能不会出现在旅游攻略里，也不会成为专门的打卡点。也许下一次低头，你会发现，脚下也藏着某个人多年前留下的一点小巧思。

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Published on:02:47:48